Four projects that show how the work gets made — the challenge, the role, the process, and what shipped. Amazon, Royal Caribbean, ION Television, and Newsmax.
How multimedia supported global learning, executive communication, leadership programs, and employee experiences.
Amazon's global learning and leadership teams needed polished multimedia that could make complex ideas land clearly — and stay consistent across many audiences and locations. On a lean two-person team, I owned this work end to end: concept, creative planning, directing, camera and lighting, editing, motion graphics, visual standards, stakeholder reviews, and final delivery.
I translated stakeholder requests into clear production plans and matched the right format to each audience — balancing speed, quality, accessibility, and brand consistency against real business deadlines.
To sustain that volume without sacrificing standards, I built repeatable systems: a consistent intake-to-delivery pipeline and AI-assisted workflows that accelerated production while keeping every asset on-brand.
Combining video, motion, audio, and visual storytelling to support employee learning across a global workforce.
Royal Caribbean needed learning content that was engaging, clear, and visually consistent for a large, diverse, global workforce. I drove the visual and multimedia direction — developing the video, motion graphics, animation, and audio that made complex material easier to understand and retain.
I used visual hierarchy, pacing, branded design, and storytelling to make the content feel cohesive and approachable — supporting comprehension without overwhelming the learner.
Rather than treating video, graphics, and audio as separate deliverables, I designed them as one experience built in Articulate Rise, so every element reinforced the same learning goal.
A multi-channel campaign demonstrating art direction, campaign systems, design leadership, and cross-platform execution.
ION needed integrated campaign systems that stayed visually consistent across broadcast, digital, print, mobile, social, and sales environments. I led and executed the campaign creative across all of them — developing concepts, producing collateral, designing the mobile app UI, and keeping distributed creative teams aligned.
I built each campaign around a strong central idea, then adapted typography, imagery, color, motion, and messaging per channel while preserving one unified brand experience — from a broadcast bumper to a bus-shelter poster to an app screen.
Broadcast graphics, motion, editorial design, digital content, and campaign support under daily deadline pressure.
News moves fast — creative has to be accurate, clear, and on-brand across broadcast, editorial, digital, and promotional channels, often on same-day deadlines. I produced that work daily: on-air graphics, motion packages, editorial layouts, promotional assets, digital content, and photo retouching, all held to a consistent production standard.
At broadcast speed, every typographic and layout decision has to earn its place. I prioritized clarity, hierarchy, legibility, and speed so each design communicated in seconds — while staying polished and appropriate for its channel.